Vivian, Suzuki Violin Teacher, with Sarah Chang and Wolftrap in Vienna, Virginia
Vivian Crespo-Almond, Violin Teacher
Chris Almond, piano teacher; Vivian Crespo-Almond, violin teacher

Performance and Teacher Training

Mrs. Crespo-Almond holds a Bachelor of Music in Violin Performance from the University of Arkansas, where she studied under Maestro Rico McNeela.

After completing several levels of Suzuki certification, Vivian sought deeper, sustained study beyond brief, week-long training programs. In 1998, she relocated to the Washington, D.C. area to pursue advanced training in Suzuki pedagogy, completing two years of post-graduate–level study under Ronda Cole at the University of Maryland. This work was carried out within a master’s-level Suzuki pedagogy program, in which she fulfilled the full coursework requirements and taught as part of the program. Her academic and practical training focused on high-level Suzuki philosophy, repertoire progression, group teaching, and parent education, with regular teaching responsibilities integrated throughout the two-year course of study.

Vivian’s professional development has been guided by extensive training through the Suzuki Association of the Americas (SAA), grounding her teaching in a deep understanding of both the musical and human dimensions of the Suzuki approach.

Vivian’s early musical formation began in Bolivia, where she studied at the Instituto de Bellas Artes with Martha Shakford through the Partners of the Americas exchange program, and with Maestro Daniel Perego of Argentina. Her international background brings a broad cultural perspective to her teaching, blending discipline,
curiosity, and joy.

Suzuki Community Leader

A respected leader in the Suzuki and violin teaching community, Vivian has served for many years on the Board of the Suzuki Association of the Greater Washington Area (SAGWA), helping to shape teacher development and student programs across the region.

She also teaches at the Greater Washington Suzuki Institute, where she mentors young violinists each summer.

Vivian’s students enjoy a wide range of performance and masterclass opportunities throughout the year, including studio events, camps, masterclasses, and community concerts organized through D.C.–area teacher cooperatives.

Performer

In addition to her teaching, Vivian performs regularly throughout the Washington, D.C. area with chamber ensembles including the Amore Trio, the Potomac Symphony Orchestra, the Trinity Chamber Orchestra, and other professional string quartets, sharing her lifelong love of music with both students and audiences alike.

Giving the Heart in Suzuki Teaching

In the Suzuki tradition, teaching is sustained not by method or technique alone, but by a deep commitment of the heart. Dr. Suzuki believed that a child’s growth depends on the quality of the relationships surrounding them — the steadiness, care, and faith offered day after day, long before results are visible.

For Vivian and her husband Chris, a piano teacher, giving the heart means teaching music with attentiveness and care that does not waver with short-term outcomes. It means forming real relationships with students and families, listening closely, and responding to who each child is becoming.

This emotional connection is not separate from musical rigor; it is what sustains it. Over time, it creates the trust, motivation, and resilience that allow both character and musicianship to take root and flourish.

Exploring the Suzuki Philosophy as Practiced in Our Studio

These articles emerge from the day-to-day life of the studio and reflect the questions, discoveries, and values that shape Vivian’s teaching. Rooted in the Suzuki philosophy, they explore how musical growth unfolds over time through consistency, encouragement, and thoughtful guidance.

Performance and Teacher Training

Mrs. Crespo-Almond holds a Bachelor of Music in Violin Performance from the University of Arkansas, where she studied under Maestro Rico McNeela.

After completing several levels of Suzuki certification, Vivian sought deeper, sustained study beyond brief, week-long training programs. In 1998, she relocated to the Washington, D.C. area to pursue advanced training in Suzuki pedagogy, completing two years of post-graduate–level study under Ronda Cole at the University of Maryland. This work was carried out within a master’s-level Suzuki pedagogy program, in which she fulfilled the full coursework requirements and taught as part of the program. Her academic and practical training focused on high-level Suzuki philosophy, repertoire progression, group teaching, and parent education, with regular teaching responsibilities integrated throughout the two-year course of study.

Vivian, Suzuki Violin Teacher, with Sarah Chang and Wolftrap in Vienna, Virginia

Vivian’s early musical formation began in Bolivia, where she studied at the Instituto de Bellas Artes with Martha Shakford through the Partners of the Americas exchange program, and with Maestro Daniel Perego of Argentina. Her international background brings a unique perspective to her teaching, blending discipline with joy and cultural breadth.

Suzuki Community Leader

A respected leader in the Suzuki and violin teacher community, Vivian has served for many years on the Board of the Suzuki Association of the Greater Washington Area (SAGWA), helping to shape teacher development and student programs across the region.

Vivian Crespo-Almond, Violin Teacher

She also teaches at the Greater Washington Suzuki Institute, where she mentors young violinists each summer.

Vivian’s students enjoy a wide range of performance and masterclass opportunities throughout the year, including studio events, camps, masterclasses, and community concerts organized through D.C.–area teacher cooperatives.

Performer

In addition to her teaching, Vivian performs regularly throughout the Washington, D.C. area with chamber ensembles including the Amore Trio, the Potomac Symphony Orchestra, the Trinity Chamber Orchestra, and other professional string quartets, sharing her lifelong love of music with both students and audiences alike.

Giving the Heart in Suzuki Teaching

In the Suzuki tradition, teaching is sustained not by method or technique alone, but by a deep commitment of the heart. Dr. Suzuki believed that a child’s growth depends on the quality of the relationships surrounding them — the steadiness, care, and faith offered day after day, long before results are visible. This vision asks the teacher to remain emotionally present, patient through difficulty, and genuinely invested in the child as a whole person.

For Vivian, giving the heart means teaching with attentiveness and care that does not waver with short-term outcomes. It means forming real relationships with students and families, listening closely, and responding to who each child is becoming. This emotional connection is not separate from musical rigor; it is what sustains it. Over time, it creates the trust, motivation, and resilience that allow both character and musicianship to take root and flourish.

Exploring the Suzuki Philosophy as Practiced in Our Studio

These articles emerge from the day-to-day life of the studio and reflect the questions, discoveries, and values that shape Vivian’s teaching. Rooted in the Suzuki philosophy, they explore how musical growth unfolds over time through consistency, encouragement, and thoughtful guidance.

Violin teacher Reflections | Parent Support Series

girl violinist

Discovering the Inspired Musician

These short, parent-friendly articles gently orient us to what supports a child’s musical growth: the emotional and relational foundations that help learning feel secure, motivated, and meaningful. Inspired by the Suzuki philosophy, each piece offers practical guidance for supporting practice with clarity, and care.

Explore
Dr. suzuki Love Philosophy

What I Love from Suzuki Philosophy

These parent-friendly articles explore the central ideas behind the Suzuki philosophy, which extend far beyond music education. They look at how the pursuit of music shapes character, strengthens family relationships, and—perhaps most surprisingly—cultivates a mind capable of overcoming obstacles to happiness.

Explore
Fairy Violinist

How Children Learn to Play Beautifully

These articles explore how children develop the physical foundations of beautiful playing through thoughtful sequencing, imitation, and care. They help parents understand how posture, tone production, bow use, and balanced movement grow naturally when technique is taught in a nurturing, logical way.

Explore

Free Evaluation Lesson

I offer a free evaluation lesson to meet your child, learn a bit about them, and discuss when they can begin lessons. It’s a warm, welcoming first step — no pressure and no preparation needed. Beginners don’t need to bring anything, and students who already play can bring their current music.